Notes from the Cider FOlk

 
 
 

WINTER 2020

Real Cider at the table

We asked a couple of our Vancouver farm-to-table restaurant stockists Dachi and Burdock & Co what seasonal dishes they’re currently loving with cider. Read on for their top picks as well as some inspired recipes to help you bring some of these fine flavours to your table (in a less complicated way). (PS Vancouver members: if you lack squash and/or cooking skills, both places offer take-away, dine-in, online bottle shops, and Burdock even has a local weekly CSA!).

“At Dachi, I love to pair the Late Season Keeve with our sake kasu ice cream, the acid and effervescence in the cider freshens the palate for every bite. The rich fruit notes play well with the decadence of the pumpkin butter while the ginger spice in our pain d’epice is emphasised by the cider’s soft, lingering tannin. “
— Stephen Whiteside (Dachi Co-Owner)

Dachi’s picks for Late Season Keeve:

Sake Kasu Ice Cream served with pumpkin butter, pan d’epice crisp and preserved coronation grape

and for drier pét-nats:

Roasted Beets with smoked miso yogurt, mustard greens and pickled pear

Burdock & Co’s pick for Late Season Keeve:

Heirloom Squash Mousse served with a dacquoise, almond crumble, cocoa nibs and date syrup

 

Bring These cider-FRiendly flavours to your table…

Butternut Squash & Vanilla Bean Soup

From Andrea Bemis’ Dishing up the Dirt

Pumpkin Butter with Cardamom & Ginger

From Asha Shivakumar's Food Fashion Party

Note: many pumpkin butter recipes just use canned puree—but of course it just can’t compare with the roast-from-scratch flavour!

Pickled Asian Pears with Lemon

From Food in Jars

Or for a quick-pickle version made to use the day-of, check out David Chang’s Pickled Asian Pear & Black Pepper recipe

 

abandoned orchard Harvest

The 2020 harvest season at one of our most unique orchard sites. The Clam Bay pét-nat in the December club shipment was pressed entirely from these trees last fall. Some of the varieties here include Newtown Pippin, Canada Reinette, Yellow Bellflower, King of Tompkins, and a possible Hudson's Golden Gem (unconfirmed). Filmed in late October.


Portrait of the artist

All of the Twin Island CIder label art and the prints inside your club booklets (and the hand-stamped tags for club-only batches) are the creations of Katie Selbee, cidermaker 1 of 2 at Twin Island Cider. Scroll on to view some of her prints, images of the process, and thoughts on her medium.

Cutting a block forces you to simplify the visual information you are seeing—there’s not much ability for nuance. As a constant over-thinker it’s a meditative practice in stepping back.
— Katie

Why is block printing your medium of choice?

“I have always rendered images from the things around me rather than from imagination or concept. I prefer doing creative exploration within the structure of portraying an object or a scene, and working with the natural limitations of a rigid medium like block printing. Cutting a block forces you to over-simplify the visual information you are seeing. There's not much ability for nuance. As a constant over-thinker it's a meditative practice in stepping back. And when I finally roll ink across the carving and peel off that first sheet of paper, there’s huge satisfaction in seeing the simplistic beauty that results from that practice. Any subtleties that result are totally unplanned and come from the ink’s interacting with print and paper, rather than from anything I control.”

 

 

Apple Folk: the Scholefield Orchard

This past harvest season, our entire cider production was sourced from 34 unique old settler orchards and homesteads on Pender, Mayne, Saturna and Samuel Islands (not including our own cidery orchard on Lupin Road). One of the more abundant sources is the Scholefield’s orchard on South Pender, 14 full-standard trees dating back to the early 1900s (exact date unknown).

 
 
 
 

Growers Stuart and Wendy brings us multiple pickup loads every second year, as their trees—like many antique varieties—have “bumper crop” years followed by “rest” years. 2020 was a bumper crop, bringing thousands of pounds of their smallish, red-striped, juicy apples to our cidery bins.

The curious thing about this orchard (by heritage orchard standards) is that every one of their 14 trees is the same variety. Most old settler orchards have a range of the dozen-or-so varieties that were popular at the turn of the 19th century, plus a few novelty types. The Scholefield’s trees, however, all produce “Wealthy”, an apple first propagated by a Minnesota apple breeder named Peter Gideon in 1865, who was determined to breed a variety hardy enough for their harsh climate. Wealthy was a Siberian crabapple cross, and was so tasty, hardy, and disease-resistant that by the early 1900’s it was one of the most common apples grown across the country, and it also found its way to settler orchards across Coast Salish territory according to local farm records from the 1910’s. It took some serious detective work to ID these apples, but we finally did—the last photo above is of an old Salt Spring Island text listing Wealthy in one of the earliest settler orchards, which helped us confirm along with many photo IDs and taste and growing descriptors (source: Salt Spring Archives).

Wendy and Stuart’s current home was once one block of a large, commercial apple orchard planted by the Higgs family. The Higgs immigrated from England to Oregon, and then to South Pender around 1902. Over the last century the orchard has been parcelled into different properties, and we harvest from a few of these each year. Stuart and Wendy started living here and caring for the trees around the 1992.

 

 

Comparing Two Methods

 

Fun fact: while most of a grape’s tannin is in its skin, an apple’s tannin is mostly found in its inner flesh. Matthew explains how fermenting on this tannic pomace à la “skin-contact” contributes to an altered profile—refined vs. funky—as you’ll taste in the December shipment.

Matthew tastes and contrasts how the profile of the skin-contact Mashup differs from more traditional ciders like the Baldwin & Russet, December shipment.

 
 

Shared Tastes: How to start a cider/wine tasting club in the covid-era

We’ve heard from many cider club members about how they distribute extra add-on bottles to their wine club friends or how they save their most limited club-only batches to share with family and friends—sometimes sharing a special bottle just amplifies the experience, even though less ends up in your glass!

Sandra MacPherson and Noel Hall, our Twin Island Cider business partners who started the company with us five years ago, know a lot about starting a wine club with friends: they’ve been a part of one for 20 years. Over decades now these same group of friends have met up each month to share a wide range of different wines and ciders. I asked Sandra a few questions about how they started, what their format is, and how they are changing things up to stay safe during Covid.

 
We have also learned a lot about wine along the way – first and foremost that it is best shared.
— Sandra
 
 

1. How long has your wine club been meeting to taste wines together? 

‘Knock-it-Bacchus’ started with four couples 20 years ago, when we realized we could taste a greater variety of better wines if we all shared the cost. We took turns hosting, meeting once a month, and the hosts invited a new couple each time, until we reached 18 couples. That felt like a good number: 6 different wines; three or four bottles of each.  

2. How do you structure the wine tasting sessions?

Every month we have a different theme, chosen by the host. The host buys the wine and we all pitch in $40 - $50 per couple to cover the cost. We have had a very diverse selection of themes over the years. The most common are varietals, regions or countries, often in competition with each other. Blind comparative tastings are the ones where you generally learn the most, trying to pick up the subtleties of a grape grown in different soil, or at different altitudes. Exploring which grapes grow together in the same region is also interesting as you can see how the same terroir and climate influences different varietals. We have also explored different wine making techniques, including natural wines, and have looked at different methods of aging. We have done food pairings, hosted ‘wine olympics’, tried different shaped glasses. We’ve had guest speakers and field trips. There have also been esoteric themes, like ‘roosters on the label’ for Chinese New Year. Really, anything goes. But we almost always have a quiz, or a way of ranking our favourites, which can lead to great debate.

3. Do you have specific questions or criteria you revisit with each wine you taste?

We are not always that formal. But we have done many properly guided tastings where there are criteria to consider. Usually the hosts pick a few of the many criteria we could consider, depending on what is being tasted or compared. We might choose to focus on appearance (colour; opacity; legs); nose; taste; length; or mouth-feel; tannins or acid - all have been explored at some point. We have fun whether we are coming up with outrageous descriptions for flavour profiles or trying to match the wines with the descriptions on the back of the bottle. We always learn something.

4. What’s been the highlight of exploring wine with your friends?

Getting to know these wonderful people really well, creating favourite shared memories along the way. We have been there for each other as our families have grown, and there is nothing like a bit of alcohol to keep the conversation real. We have also learned a lot about wine along the way – first and foremost that it is best shared. My personal highlight was getting 25 of us on a 10-day trip to Portugal and Spain. We started in the port houses of Porto, and finished in the pintxo bars of San Sebastian, having travelled up the Douro to the Duero, through Toro and Rioja. We even fit in some Spanish sidra tasting.

5. Have you managed to find a safe way to continue tasting together through the pandemic?

Yes! In fact, our first covid-friendly tasting back in April was a Twin Island Cider bubble comparison on Zoom: “Bubbles in your Bubble”. Each family (the grown kids now get in on the act!) had a Pet-Nat, a Westwind Road and a Traditional Method to try. Matthew talked us through a tasting where we could appreciate the differences in how the three ciders were made, and we compared notes on taste and mouth-feel. 

In the summer we had a rotating outdoor gathering of small groups at four different houses within walking distance. Everyone brought their own wine, glasses, and snacks, and the bottles owners did their own pouring. This month we are trying a new small groups Zoom tasting. We will Zoom in groups of 4 or 6, with each group speaking about a wine they have chosen. Everyone knows the chosen wines up-front, so each group can purchase as many of the wines as they like to drink along with the presentations. It’s not the same as meeting in person, but it is definitely better than nothing! 

6. What has it been like introducing cider to your wine-enthusiast crowd since starting Twin Island?

Interesting! There were already some cider enthusiasts in the crowd, but we did have to work to overcome the perception, particularly amongst the men, of cider as a sweet summer drink. It didn’t take long. With the abundance of heirloom apple varietals we pick, and the variety of dry, off-dry, funky, delicate, sparkling and still artisan ciders that you and Matthew are producing, there is much in common with wine. Cider is a great addition to a natural wine tasting, a food-pairing theme, or an exploration of cider vs. wine making methods. I love to see who appreciates the different cider profiles, and how that aligns to different taste preferences in wine. Twin Island has definitely broadened our tasting horizons. I can’t wait to try a qvevri fermented cider alongside a clay vessel wine!

 

Behind-The-Scenes of our clay vessel project

Hand-building one 3” layer per day. This 60 litre pot required about 1 to 2 hours of work per day over 1.5 weeks

After the final 1000 C kiln firing, the pot was re-warmed to open up the pores and a small amount of beeswax was applied

Healthy wild fermentation in its early rapid phase

If you want to learn about clay qvevri-making in Kakheti, Georgia, start here; or go down a lengthy but amazing rabbit-hole with this documentary. Also, a correction on the explanation about “non-vitrified” clay qvevri in our video—we learned later that this low firing is actually desired for durability rather than porosity (vitrified clay is more fragile) as Georgians bury their vessels. The use of clay pots for micro-oxidation is more in the tradition of Portuguese “talhas” and Mediterranean “doliums” and other clay pots which are kept above ground (as ours will likely be) and therefore air exchange does occur, similar to if we were aging in wooden barrels.

 

A Toast to The Happy Monk

For those of you who got elbow-deep into sourdough bread making—whether before or during pandemic lockdown—this one is for you.

We asked Pender Island’s David Morton of the Happy Monk Baking Co. (who also happens to be a Cider Club member) to share his recipe for making a cider and apple sourdough loaf. David bakes weekly bread orders for customers around north and south Pender Islands in his dreamy cob wood-fired oven, named Mildreth. For home-bakers like me who don’t venture far from the basic peasant loaf, this recipe is well worth the extra steps.

Slices of apples are dried in a slow oven, concentrating their flavour, then folded gently into a sourdough bread. Bite into a slice of the finished loaf and you’ll find little droplets of apple sweetness and a hint of caramel from the Twin Island Cider in the crust and crumb.
— David